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This bonus track is a decent addition to (2004): After canceling their first collaborative album, Jay and Kelly never came close to recapturing their magic from classics like “Fiesta (Remix),” although this horn-laden single tries its best. “Pussy,” (2002): Songs like this make you wonder what was discussed during this album’s in-studio brainstorming sessions.After Kellz and Jay tell cautionary tales about man’s carnal weakness, Devin the Dude shares an anecdote about losing his virginity at age 7. “You’re Welcome” (2008): “This is much more than marketed music,” Jay-Z raps on a languid Mary J.(2017): Come for Blue Ivy’s mumble raps (that flow, though!); stay for Jay deriding Trump and pledging the importance of kin while a sample of Colombian singer Totó la Momposina’s voice plays in the background.“If my hand’s in the cookie jar, know one thing / I’ma take the cookie, not leave my ring,” he rhymes over Dr. The song reeks of trendy pandering; the polychromatic music video, with its fish-eye camerawork, is a Top 10 corniest Hov moment. “Feelin’ You in Stereo,” (2004): Well, this sure is meta. Kelly sings about trying to conjure the sexiest lyrics and music possible for this actual song, and Jay enables him by dropping eight bars of metaphors about waistlines and bass lines.It’s not terrible, though, just too goofy for anyone’s sex playlist.His catalogue contains some of the most potent imagery and lucid storytelling about poverty and the desperation that it breeds, all while dominating mainstream pop music, in a delicate tightrope act that almost no one else has ever been able to manage for the span of time that Jay has.

is the late-career big-budget home run that Hov needed. It’s never been harder to predict where he’s headed musically — which is why it’s the perfect time to look back on his entire body of work.

Below, you’ll find a comprehensive listing of Jay-Z’s songs with some parameters for manageability: no freestyles over someone else’s beats (sorry “Young, Gifted and Black”), no song in which Jay-Z is not the lead artist (unless it appears on a DJ compilation).

No leaked tracks, no mash-ups, and no remixes — a tricky restriction given Jay’s penchant for sequels. A-sampling cut is a misguided attempt at celebrating stand-up women and shaming shady ones.

But he continued to develop his craft, taking stock of hip-hop’s evolving aesthetics and mastering hyperspeed raps in the vein of East Coast rap duo Das EFX.

Jay moved in and out of rapper circles in the late ’80s and early ’90s, popping up on songs with his mentor, Jaz-O, and Big Daddy Kane.

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